I CAN'T THINK

Step Sheet

PDF

HEEL, TOE, TRIPLE STEP WITH ¼ TURN

1-4Touch right heel forward, touch right toe to right side, (making ¼ turn right) step right foot in place, step left-right in place

HEEL, TOE, SAILOR SHUFFLE

5-8Touch left heel forward, touch left toe to left side, cross left foot behind right, step right to right side, shift weight to left foot

HEEL, TOE, TRIPLE STEP WITH ¼ TURN

9-12Same as counts 1-4

HEEL, TOE, SAILOR SHUFFLE

13-16Same as counts 5-8

CONGA TURN, KICK

17-20Step right to right side making ½ turn right, step left to left side making ½ turn right, step right to right side, kick left forward

CONGA TURN, STOMP

21-24Step left to left side making ½ turn left, step right to right side making ½ turn left, step left to left side, stamp right heel beside left

STEP, PIVOT ½, COASTER STEP

25-28Step right forward, pivot turn ½ to the left, (keeping weight on right) step backward on left, step back on right, step forward on left

STRUT, STRUT

29-32Step forward onto right heel, slap right toe down, step forward on left heel, slap left toe down

HEEL, TOE, REVERSE COASTER STEP

33-36Touch right heel forward, touch right toe backward, step forward onto right, step forward on left, step back on right

TOE, HEEL, COASTER STEP WITH ¼ TURN

37-40Touch left toe backward, touch left heel forward, step backward on left foot, step back on right, step forward on left making ¼ turn to the right

PUSH HIPS RIGHT-RIGHT-LEFT-LEFT

41-44Step right foot slightly forward at 45 degrees right and push hips forward twice, weight on left foot push hips to the left twice

PUSH HIPS RIGHT-LEFT-RIGHT-LEFT

45-48Push hips to the right, push hips to the left, push hips to the right, push hips to the left

REPEAT

Music

About the Choreographer

Warren Fleming

Warren Fleming is an accomplished choreographer and dancer with an impressive portfolio that includes 40 captivating dances in our archive. Passionate about creativity and expression, Warren continually inspires audiences and fellow artists alike with their dynamic performances.

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