HAVE BOOTS WILL TRAVEL
Choreographer: Peter Metelnick
Step Sheet
1-3Step right foot to right side, cross left foot behind right, step right foot to right side
4-5Touch left toe to right instep, touch left heel to right instep
6-8Hitch left knee and slap with left hand, touch left heel forward, clap
GRAPEVINE, SUGAR FOOT, HITCH 'N' SLAP, HEEL, CLAP
1-3Step left foot to left side, cross right foot behind left, step left foot to left side
4-5Touch right toe to left instep, touch right heel to left instep
6-8Hitch right knee and slap with right hand, touch right heel forward, clap
GRAPEVINE, SUGAR FOOT, HITCH 'N' SLAP WITH ½ TURN, STEP, SCUFF
1-3Step right foot to right side, cross left foot behind right, step right foot to right side
4-5Touch left toe to right instep, touch left heel to right instep
6-8Hitch left knee while turning 3/8 turn to face right diagonal and slap with left hand, step left foot forward, scuff right foot forward
TRAVELING STRUTS
1-2Facing diagonal corner, step right heel forward, drop toes to floor and clap
3-4Step left heel forward, drop toes to floor and clap
5-6Turn ¼ to face next diagonal corner and step right heel forward, drop toes to floor and clap
7-8Step left heel forward, drop toes to floor and clap
TRAVELING STRUTS, WALK BACK, TOUCH, CLAP
1-2Turn ¼ to face next diagonal corner and step right heel forward, drop toes to floor and clap
3-4Step left heel forward, drop toes to floor and clap
5-6Turn 1/8 turn to face wall straight on and step right foot back, step left foot back
7-8Touch right foot next to left, clap
REPEAT
On the last 4 counts, you can brush both hands back across thighs, brush both hands forward across thighs, click both fingers, clap!
Translating…
Music
About the Choreographer
Peter Metelnick is a celebrated line dance choreographer known for his innovative creations, which have inspired dancers around the world. With 188 dances archived, his impactful work blends rhythm and creativity, fostering a vibrant community and elevating the art of line dancing to new heights.
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