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Step Sheet

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TOUCH FORWARD, STEP BACK, LOCK STEP BACK, FULL TRIPLE TURN, ROCK, RECOVER, CROSS
1&2Touch right in front of left, step back on right
3&4Step back on left, lock right over left, step back on left
5&6Full triple turn to right stepping right, left, right (12:00)
7&8Rock left to left, recover on right, cross left over right

SYNCOPATED WEAVE, ¼ TURN, STEP, ½ PIVOT, LOCK STEP
9&Step right to right, cross left behind right
10&Step right to right, cross left over right
11&Step right to right, cross left behind right
12Making ¼ turn right step right to right (3:00)
13-14Step forward on left, ½ pivot right (9:00)
15&16Step forward on left, lock right behind left, step forward on left

MAMBO FORWARD, MAMBO BACK, TOUCH, TOGETHER, TOUCH, BEHIND, TURN, STEP
17&18Rock forward on right, recover on left, step back on right
19&20Rock back on left, recover on right, step forward on left
21&22Touch right to right, touch right by left, touch right to right
23&24Cross right behind left, making ¼ turn left step left to left, step forward on right (12:00)

TOUCH, TOGETHER, TOUCH, BEHIND, TURN STEP, STEP, TURN STEP TWICE
25&26Touch left to left, touch left by right, touch left to left
27&28Cross left behind right, making ¼ turn right step right to right, step forward on left
29&30Step forward on right, ½ pivot left, step forward on right (3:00)
31&32Step forward on left, ½ pivot right, step forward on left (9:00)

REPEAT

TAG
At end of third wall (facing 3:00) add these steps
STEP, ¼ PIVOT, ¾ TURN

1-2Step forward on right, ¼ pivot left (12:00)

3Making ½ turn left step back on right (6:00)
4Making ¼ turn left step left to left (3:00)
Translating…
Music
About the Choreographer

Alan Birchall

Alan Birchall is a renowned line dance choreographer celebrated for his exceptional creativity, boasting a remarkable portfolio of 108 original dances that have inspired dancers worldwide. His innovative approach and passion for rhythm continue to elevate the art of line dancing, making him a pivotal figure in the global dance community.

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