EZ The Way You Make Me Feel

Choreographer: Carrie Bauer (Feb 2015)

Step Sheet

PDF

Intro: when beat start, 32 counts (this is 32 counts BEFORE the vocals)

[1-8] TOES STRUT RIGHT FORWARD, TOE STRUT LEFT FORWARD, PIVOT ½ TURN LEFT, CHASE R, TOUCH L NEXT TO R (TO 6:00 WALL)
1-2Step R forward on ball of foot (1), drop heel (2)

3-4Step L forward on ball of foot (3), drop heel (4)

5-6Step R forward (5), turn ½ L on balls of both feet (weight on L)(6) (6:00)

7-8Step (chase) R forward (7), touch L next to R (8)

[9-16] VINE LEFT, TOUCH RIGHT, VINE RIGHT, TOUCH LEFT
1-2Step L to left side, step R behind L

3-4Step L to left side, touch R next to L

5-6Step R to right side, step L behind R

7-8Step R to right side, touch L next to R

[17-24] TOES STRUT LEFT FORWARD, TOE STRUT RIGHT FORWARD, PIVOT ½ TURN RIGHT, CHASE L, TOUCH R NEXT TO L (TO 12:00 WALL)
1-2Step L forward on ball of foot (1), drop heel (2)

3-4Step R forward on ball of foot (3), drop heel (4)

5-6Step L forward (5), turn ½ R on balls of both feet (weight on R)(6) (12:00)

7-8Step (chase) L forward (7), touch R next to L (8)

[25-32] STEP RIGHT/SCUFF LEFT, STEP LEFT/SCUFF RIGHT, STEP RIGHT AND SWAY HIPS RIGHT/LEFT/RIGHT/LEFT
1-2Step R to right side, scuff L next to R (scuff = drag heel across floor from back to front)

3-4Step L to left side, scuff R next to L

5-6Step R to right side with right hip sway (push R hip out) (5), sway L hip to left side (6)

7-8Sway R hip to right side, sway L hip to left side

This revision replaces the same dance dated February 2015.
Please do not alter this step sheet. Questions or concerns may be directed to me at linedancelawyer@yahoo.com.
Thank you! Carrie Bauer

Last Update – 1st April 2016

Music

About the Choreographer

Carrie Bauer (Feb 2015)

Carrie Bauer, a talented choreographer active since February 2015, has made a vibrant mark on our dance community with her innovative and expressive style. With 6 captivating dances archived, her passion for movement continues to inspire both performers and audiences alike.

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